The Enchanter series is complete. The third and final essay is concerned with metafiction and canonicity/institutional knowledge (I had already planned this approach, but I would up being influenced by conversations here)
As I mentioned on the blog last week, I now have a bingeable amount of back-content. This was one of my early goals, so it’s now time to slow down. I will likely do one post per week, almost always on Monday.
My first article about Infidel examines it in terms of tragedy. What sort of tragedy is it? Or is Infidel something else entirely? I consider classical tragedy, “American” (as in American naturalism) tragedy, and a third, very technical category.
UPDATE:
I think this thread has run its course. I’ll start making a new thread that incorporates my other discussion threads with the news updates from this thread. Hopefully that will keep things tidy